"I hold the stained glass of BioShock Infinite up to the light and I see a picture of an elderly, bearded man holding a baby in a floating city. The picture is as bizarre and fascinating as any I’ve ever seen, and the medium is, well, it’s old. Tested, to be sure, and time-honored. Look, I’m not saying there’s anything wrong with stained glass windows or with pictures of floating city baby dedications, but I can’t help but wonder if they truly belong together. The glass blower seems to think so. I don’t know."
Read the full review at GamerNode.